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Mousse Contemporary Art Magazine

Contemporary Art Magazine and Publishing House
Mousse Magazine and Publishing

  1. Alice Peach “Still Curly” at Iowa, New York

    In Still Curly, Alice Peach presents new sculptures that transform the humble popsicle stick into surprisingly modular formations. The sticks, pale and flat, assume skeletal poses, undulating like the curvature of a spine or the off-kilter construction of a torso. Peach fashions them to the wall, splayed, or suspends them from the ceiling, operating almost

  2. Giuditta Branconi “Cannon Fodder” at Collezione Maramotti, Reggio Emilia

    In my paintings everything happens at the same time.I don’t want to guide the viewer; the viewer can see whatever they want.The gaze is anarchic.—Giuditta Branconi For Cannon Fodder, her first solo show in an institutional setting, the young artist Giuditta Branconi has created a series of new paintings and a large installation of painted

  3. “Passages” at Kunsthalle Friart Fribourg

    Passages is an exhibition about the mutability of matter and form. While questions of form often concern how material is endowed with, or given form, the exhibition likewise attends to the existential dimension embedded within a larger notion of form. The moment in which something takes form is often also the moment in which an

  4. “Ethical Managers Make Their Own Rules” at Bodenrader, Chicago

    The exhibition supports the exhibition and vice versa, you know? I think it’s a reflex. It’s a gift to write something and say nothing, and vice versa. So much, so little, and so on. Does that mean what I think it does? I mean, it is mean. Display can be a descriptive and effacing presence,