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Mousse Contemporary Art Magazine

Contemporary Art Magazine and Publishing House
Mousse Magazine and Publishing
  1. C.B. Evans’s practice engages with the infrastructures that hold contemporary life. Rather than approaching these structures through abstraction or alienation, their films, installations, sculptures, and collages turn toward the intimate terrain of human emotions, examining its value and inevitable rebellion as it comes into contact with ideological, physical, and technological structures. Their work seizes on
  2. From 22 to 24 July, on the occasion of Faito Doc Fest 2026, International Documentary Film Festival, Intervallo I takes shape: a selection of video works by Italian and international artists hosted inside La Furgonetta, a project conceived by Portulaca Project, an interdisciplinary organization focused on cultural, social and territorial planning. Starting from the transformation of the rear compartment
  3. White Cube Mason’s Yard is pleased to present a solo exhibition by artist duo TARWUK, debuting a major new site-specific installation alongside paintings and works on paper. In the spirit of Richard Wagner’s mid-1800s concept of “gesamtkunstwerk”, the “total work of art” “all-embracing art form”, TARWUK look to the hallmarks of theatre as principles within their practice. Structured through
  4. A leap—and a void. An augur imagines the future, finding inspiration in the unpredictable gestures of flight. In Steffani Jemison’s expansive exhibition, conditions of endurance and escape are linked in a continuous installation of sound, sculpture, drawing, and video.   The idea of moving within conditions of constraint strongly informs the practice of Steffani Jemison. Fugitivity has